Showing posts with label Reverend and The Makers. Show all posts
Showing posts with label Reverend and The Makers. Show all posts

Friday, 21 October 2011

Reverend and The Makers @ Manchester Academy


As it neared the hour of 9.00pm the venue has already played host to two very average sounding support acts, which the heavily intoxicated crowd gave a surprisingly warm reception to.  Although, I’m not entirely sure if this was anticipation for the appearance of The Reverend and his band rather then gratitude for two average bands.
Anticipation grows as the lights dim and plunge the crowd into darkness.  An ear piercing reception reverberates around the venue, which almost certainly signals the entrance of Reverend and The Makers. 




The first glimpse we manage to get is Jon ‘The Reverend’ McClure standing with some arrogance, soaking up the ecstatic crowd atmosphere.  Chants of ‘Reverend, Reverend, Reverend', can be heard working there way around the entire venue.  McClure doesn’t flinch at the reaction of his entrance, despite it being so loud it sends chills down your back.  After a good 10 minutes, the band finally launch into their first number ‘Silence is Talking’.  This, of course, creates a mass of chanting from the very first word.  It has been a very long time since I have experienced such an overwhelming atmosphere at a gig.  You would feel out of place if you didn’t dance or sing along, a bit like that fat kid who used to bully everyone at school! 
They then launch (with some gusto), into the classic ‘Heavyweight Champion of The World’ with that trademark bass line that sets off proceedings.  The heat and humidity only three songs in is beginning to get seriously uncomfortable.  A kick drum, some out of time clapping and the words “Manchester, are you with me?” are recited, before the middle 8 ‘To be like everybody else’ is sang, or rather shouted, in unison by a hot a sweat ridden crowd. Jon, finally, (after a good 10 minutes of out of tune chanting by the crowd), begins to wind things up singing the final chorus of ‘Heavyweight Champion of The World’.  With the song complete it merits the best reaction of the night so far, from everyone, including myself.  
Current single ‘No Soap’ is introduced with the words “Join me, lets do this together, F**k the BNP, peace, love and F**cking unity”.  A thumping bass drum and almost tortured vocals grace the ears, before a less catchy chorus, this shown by a toned down crowd reaction, begins.  Although the song still receives a good response.  A slower number then emerges, by the name ‘Manifesto’.  With raspy vocals, strumming an acoustic guitar and looking very calm, this is the side of him I saw earlier on in the day, the one which most rock stars hate to show.  Although I was stuck on a balcony, high above the packed out venue with the rest of the press, I still felt a major part of this gig, the sense of unity that everyone was in this together was amazing.  

Half way into this beautiful sweat infested assembly, which other people refer to as a gig, it was taking its toll on me.  Now, sticky with sweat from the sheer humidity of the venue, I felt the bar had to become a feature of my night as I quite possibly wouldn’t be standing at the end of it.  By the time ‘Open Your Window’ is belted out the roar that fills the venue is incredible, it is by far the best reaction of the night.  The drunken howling and out of time clapping resumes once more and it seems everyone is embracing this band like there is no tomorrow.  
As the show draws to an end Jon says “Are you enjoying yourselves?”which, of course, receives a rapturous applause from the crowd, he then says “Good, ‘cuz I’m having a f**king right time up ‘ere! This one’s for my good friend Tim Hampton, f**king respect mate, This one’s ‘He Said He Loved Me’. Seya!” His wife begins proceedings with vocals not to dissimilar to that of Lily Allen, however, slotted rather tastefully over an electro dance beat – which pulsates though your body.  The encore then follows, their appearance is again, subject to a huge applause from the crowd.  They finish with the track ‘Armchair Detective’.  The crowd looking somewhat fatigued by this time, manage to muster up the energy to dance to one last number.  

As people begin to trundle out, through the mass of beer cans and plastic bottles, taking at least 10 minutes to get to the venue entrance, they spot McClure outside.  He is surrounded by a mob of people singing horrifically and has an acoustic guitar slung around his neck.  He plays three numbers, appearing relaxed and at ease, despite the mass of people around him.  After his three numbers he darts across the road towards the entrance of the venue, followed by a handful of crazed fans.  For the less crazed fans among us, well, they desponded into to the night and events drew to a close.  

One of the best atmospheres, crowds and bands that I have seen.  A sublime night, which everyone should experience at least once in their life.           





Reverend and The Makers: Interview


Having supported the now disbanded Oasis, off with possibly the biggest band around, Kasabian, in early November, and on a headline tour of their own, Reverend and The Makers are, to say the least, living the rock and roll lifestyle.  I caught up with the band at Manchester Academy on their current headline tour.  
Entering a rather spacious backstage area, whilst awaiting the arrival of the band I found myself talking to a rather timid looking member of the support band originating from Oz, the conversation was rather muted to say the least.  I then found myself being swept off to a compact and smoke filled room where the band were chilling out...  


Hello Reverend and The Makers, How are we all?
Jon McClure:  We all aren’t here, but I’m alright [laughs].

Where are the rest of the band then?
Jon:  Erm, well, various places, er, sleeping, on the toilet, smoking narcotics and playing with weird electronic gadgets.

Sounds good to me, how you enjoying the tour so far, is it going alright?
Jon:  Wonderful, we are having a lot of fun and long may it continue! Also it’s kind of a tour into another tour because when this finishes we’re off with Kasabian straight after so it’s back to back tours at the moment.  

Ah great, are you playing the Sheffield date, I’m actually going along to that!
Jon:   Yeah, yeah we are, actually I think Sheffield is the last date on the tour, so it could just be a complete monstrous mess!

How do you prepare each night for a gig? Are there any special or unusual routines you go through?
Jon:  Erm, well I just try and...er, smoke as much weed as possible really (laughs nervously)

I’ve heard that you do a special acoustic set in car parks after shows, will that be happening tonight in Manchester?
Jon:  It certainly will, yep.  Actually, last time I was here, I’d been in Liverpool the previous evening and had my guitar nicked when I were in the street and a couple had seen it, so they’d come to Manchester and brought me another guitar, and gave it me outside Manchester Academy.  So, yeah, I’ve got really good busk memories of Manchester. So, long may it continue.

Brilliant! So, you’ve recently played a Climate Change gig in London, do you think it’s a matter we should all take more seriously?
Jon:  Well, I think it’s a lot more serious then fucking file sharing, which seems to be the only thing most musicians get upset about.

Yeah, I saw your post on twitter relating to it, are you quite an angry man about that then?
Jon:  Well, I’m just getting things into perspective.  There’s a planet here and it’s fuckin’ melting and you’re worried about some fucking kid in Darlington downloading ‘Smile’ when you’re a millionaire anyway, get over yourself.  I mean I’m right aren’t I?

Your new album ‘A French Kiss in the Chaos’  is out now, how do you think it’s being perceived by your fans?
Jon:  It’s being received well by the fans, and because of my stance on file sharing probably nicked by a lot of them! [Laughs]  The critics don’t like me anyway because I tell the truth about them and you’re not meant to tell the truth about them. For example; NME have got no black employees, didn’t put Dizzie Rascal on the front cover for 7 years and most importantly of all, to work at IPC media you have to get a job as an intern and work for free.  Now, if you’re from the working class and the North you can’t afford to work as an intern, so therefore the vast majority of the journalists are derived from the middle classes and they think all grew up listening to Echobelly and Menswear, when in actual fact they grew up listening to noavis and shaba.  Y’know what I’m sayin?

The album title is an interesting one, how did it come about?
Jon:  Roots Manuva have got a lyric it says ‘French kissing the chaos’which means to embrace the chaos.

So, you basically nicked it?
Jon: [Laughs] I love it when people are as brusque as I am!  Yeah, I’m just a pilfering bastard really! It sounds lovely though doesn’t it?  

Yeah I like it.
Jon:  Do you know that photo by Robert Doinsneau of that couple kissing in Paris – quite a famous one, I quite like that, it’s quite a poignant image to me and my wife as she now is with me in the band, so yeah.  I’m not just a pilfering bastard, I’m a pilfering bastard with a romantic soul! [laughs]. 


A personal favourite is Silence is Talking but the majority of your songs and lyrics don’t conform to a pattern; how do you go about writing material that’s different from everyone else?
Jon:  Thanks for that, that’s a great thing to say.  Erm, well because I don’t listen to the same music as them.  The majority of bands around listen to rock music, I’m not into rock music.  I’m into fuckin’ groovy music, black music to be honest, I like the groove of it. I’m into psychedelic music too, really like the freeness of it, y’know?

Yeah. What kind of bands influenced you?
Jon:  Well lyrically, Bob Marley because, well, he’s just the fuckin’ prophet isn’t he really.  I would say Lennon is a good one too, but it’s like Marley’s Batman and Lennon’s Robin, he can’t really compete y’know.  Musically though I like groove music, Reggae, Funk, Disco, Afro Beat, Hip–Hop, Ragga; music that makes you move.  It’s got something deep to it, guts, bottom end, y’know.  Where as a lot of music today is just like posh white fuckers that won everything and didn’t have to work for it.  I mean ultimately if you look back at the nineties and the majority of British bands, like The Libertines, and I mean Carl Barat is a very good personal friend of mine but I don’t want to sound like those bands.  My band derived nothing from those bands.  The nineties have been very fuckin’ disappointing musically, I mean if you think about it most of the bands were wank really.  The best musicians come from Black music or dance music really.  Think about it;Dizzee Rascal, Roots Manuva and Tie, people like that, there not necessarily gonna be seen with a leather jacket and a guitar slung round their necks.   

It’s not all about style is it?
Jon: No, it’s fucking not, and it’s not about Old Street roundabout in East London, there’s more to this country than Old Street roundabout.  The world does not revolve round it.  

Is it true that Silence is Talking was inspired by John Lennon and you were high whist writing it?
Jon:  Yeah, MDMA.  Which used sensibly is just, wonderful.  I’m not going to sit here and lie, because I don’t think people should lie about drugs.  The fact that they're lying about drugs is where the problem comes from.  MDMA if you use it in a very small amounts occasionally, can be very nice.  I’d had a little bit and been listening to Tomorrow Never Knows and one thing lead to another. It’s a fuckin thing that we all do and there’s no point in lying about it.  That’s why I’m always endeared to Noel Gallagher because for someone of his fame to go “yeah taking a line is like having a cup of tea for a lot of people”.  That’s what happened in the 90’s everyone started taking drugs.  

Do you think that’s the end for Oasis?
Jon:  Yeah, I think it’s done now.  I wouldn’t have a bad word to say against Noel Gallagher [though], he’s a proper gentlemen, knows how to fuckin conduct himself.  He’s a fuckin dude mate.  I was always into black music when I was younger and I put my telly on and went to turn it off at 9.00 then – Channel 4, The Word, Bang, Oasis.   I was looking at it thinking, shit man, fuckin’ hell this is good.  It was a real deep thing.   When we toured with them as well, god, what an honour.  I consider myself quite an intelligent person, but like, not all music has to be high brow [sitting there with almost every musical gadget possible] there’s a time and a place for that I think.  I mean I’m not saying it’s bad, because coming from Sheffield it’s a big part of what we do with bands like; The Human League, ABC, y’know all them kinda people.  It’s in the blood in Sheffield, the synth kind of tradition.  We’re the latest electro–pop band, if you like.  

There were rumours, Jon, that you would be leaving music all together.  I presume those rumours have been put to bed now you and your band are touring again?
Jon:  Because of what I told you earlier, the way the music industry is, and combined with taking lots of drugs from the doctor, I began to see things in a negative way and get very depressed; but the problem is I’m a musician and people will just say I’m doing it for the attention.  So I mean what can you do? You're fucked if you do and your fucked if you don’t.  

 Did you think, forget the critics?
Jon:  Yeah, music is in a bad state as it is so I felt I had to stick with it and do something about it.